Updated: The Beautiful (Virtual) (Wine) Walk

“A portrait of a man, traditionally identified as Pierre de Beaumarchais”

Note #1: This article originally ran on August 4th, 2020. At the time, I had only tasted barrel samples, and had done so in May. My standard practice of not scoring barrel samples being what it is, I provided only tasting notes. Recently, I had a chance to take my time tasting through the finished wine, which were formally submitted as samples, giving me the chance to update this article with scores. I’ve kept the barrel sample notes so that we can all see how the wine continued to develop.

Note #2: Given the uniqueness of the winemaking of these Beau Marchais wines, it is very difficult to provide a value rating of these wines. As a refresher, Good Vitis offers a value rating from A to F based on how how I perceive the wine based on comparing its quality to its price in the global market. In this case, I should be comparing these pinot noirs against the global pinot noir market, which means I’d be trying to compare a trio of pinot noirs made in a vastly different method than any other pinot that have a demonstrable impact on the wine, producing pinot that is fundamentally different from any other, and hardly comparable. It important to note that while these wines are very expensive ($95 retail per bottle), several things are true. First, the methods used are more time consuming and labor intensive than those used in making pinot the standard way, making this a more expensive pinot to produce than others, including pinots sourced from the same vineyards. And second, for pinot lovers and lovers of unusual methods with the resources to acquire these wines, these are the only wines on the market of their kind. As they are are the only wine of their kind, they are the global market, and therefore set the original benchmark. For this reason, I cannot (yet) provide value ratings. The most I can say is that if you fall in the category of the pinot lover or lover of unusual winemaking methodology and want to spend the money on them, you absolutely should for the experience, if not the wine as well.

Last spring, Adam Lee told me briefly about one of his newer projects called Beau Marchais, and sent me barrel samples of the three pinot noirs that will be released this fall under the label. Last week, I joined a crowd of Adam’s Clarice Wine Company customers for a Zoom tasting with Adam and Mike Officer of Carlisle Winery to discuss Beau Marchais in depth. Adam had sent Mike barrel samples, and Mike gave us his thoughts as he tasted through them. The wide-ranging discussion touched on a variety of topics, and provided good entertainment for wine lovers like myself who have missed in-person wine tastings and gatherings.

It was the first virtual tasting event I’ve attended, a decision I made because I’d had the wines being discussed. I’ve been apprehensive so far to register for these events because either I haven’t had the featured wines, wasn’t interested in purchasing the featured wines, or wasn’t going to be able to get the wines in time to give them a proper rest prior to the tasting. While virtual tastings are, I’m sure, a lifeline for some wineries during this global pandemic, I’ve been loath to risk bottle shock and short rest periods during summer weather shipping. It’s brought a topic I think about often to real life, but alas, that’s a subject for a different post.

Beau Marchais is an unusual project because in a certain sense it is virtual winemaking, and is therefore a particularly appropriate one to launch during COIVD. Adam makes the wine, but he takes remote instruction from one of the most famous and respected winemakers in the world, Philippe Cambie, who lives in France’s Chateauneuf de Pape. Cambie currently consults for somewhere in the vicinity of 82 wineries according to Mike Officer, but nevertheless “the opportunity to work with him,” Adam told the gathered virtual crowd, “was too much to pass up.”

Adam and Mike had met Cambie on a trip to Chateauneuf de Pape, in the southern portion of France’s Rhone Valley. “He’s behind a lot of our favorite Chateauneuf de Pape’s,” Mike said, adding that “he’s taken a lot of okay places [throughout the Rhone Valley] and made them exceptionally good. It’s pretty fantastic to say that.”

The Lee-Cambie collaboration genesis, as Adam described it, was that during their trip to Chateauneuf, “we went to enough places that called grenache [the signature grape of the region] ‘the pinot noir of Chateaneuf de Pape.’ I began thinking, could we make California pinot noir in the style of Chateaneuf grenache?” Adam brought the idea to Cambie, and the two agreed that Adam would use his incredible fruit sourcing connections to secure choice California grapes, and Cambie would instruct Adam on how to make the wine. They would do the blending together in-person.

Mike Officer (L) and Adam Lee (R) with Philippe Cambie

As Adam and Mike interviewed each other during the virtual tasting, Adam described the process that he, via Cambie, made the three Beau Marchais wines. “Philippe brought completely different ideas to the project, things I hadn’t thought to do with pinot noir before.” That’s a big statement coming from Adam, a winemaker who by nature is willing to try different things and has made, pretty much exclusively, pinot noir for numerous projects for more than two decades.

To begin with, Cambie had Adam pick the grapes “on the earlier side of things.” Once the grapes came in, “we didn’t do nearly as much whole cluster press as I normally do. Clarice is around 80% whole cluster, Beau Marchais were around 25%. Philippe uses a particular enzyme to extract more from the skins. It tends to give a very creamy texture, something I’d never thought of using before with pinot. We used it during cold soak.” After the addition of another yeast, “the wine stayed on the skin for about 45 to 48 days. Normally, I do about 17 days, maybe 21, of maceration. I’ve heard of people trialing durations this long, but they’re just trials. This is what Philippe does.”

The differences kept coming. “As you get close to fermentation, we’d do this thing where we’d pump out of the bottom valve [of the tank] and back into the wine below the cap to actually push the skins up [as opposed to pumping the juice over the top of the cap to push the skins down]. This meant no aeration during the pump over. Plus, we used completely different barrels then I’ve ever used before. No concrete, just oak, and a good bit of new oak.”

Adam was asked by an audience member what the biggest influence Philippe had on him during the process. In response, he said that “it’s made me look at pinot noir differently across all my projects. I’ve been making pinot since 1994, and I liked to sit there and say I looked at things different each year. But still, there’s a sense of falling back to what you know. So, this helped me really say, okay, there are real differences in how to make really great pinot. This was an opportunity to increase my horizons.” As Mike summed it up, “no dogma. I like that.”

The Beau Marchais line up consists of two pinot noirs from the famed Clos Pepe vineyard in the Santa Rita Hills, and a third pinot from the equally esteemed Soberanes Vineyard in the Santa Lucia Highlands. Both regions are considered cooler climate for California, and add a sense of history and strong imprints of place to the project. The inaugural release will come from the 2019 vintage. “I’m thrilled to be at Clos Pepe, I’ve worked at it since 2000,” Adam explained. “Getting back to the Santa Rita Hills, I love Clos Pepe. They’re doing great farming, it’s a great opportunity to do something great.”

Beau Marchais’ inaugural 2019 release

The two Clos Pepe vineyard wines, named Clos Pepe Est (“east” in French) and Clos Pepe Ouest (“west” in French), each represent unique areas of the already small vineyard. The Est comes from, you guessed it, the eastern edge and middle of the vineyard and is comprised of 115 and Pommard clones. This area of the vineyard “has some rolling hills, and the portion where the grapes come from is on the backside of the hill where it is more protected [than the west side where Ouest comes from]. It makes a big difference.” The Ouest is a mix of Pommard and 667 clones and “faces the Pacific Ocean, which means it gets direct wind. It produces smaller clusters and achieves higher brix. The wind is so strong sometimes that you can end up with poor fruit set.”

As Mike tasted the two Clos Pepe’s, he commented that the two wines were “totally different” even though they are “from the same hood.” I couldn’t agree more. Not only is the Ouest more integrated at this stage – I get the sense that it responded to the extended maceration in a softer way – but the nose and fruit has developed more quickly as well, offering more differentiated layers at this early stage. It seems to be on the path to being more spicy and hedonistic than the Est, reminding me of Gigondas.

The Est shows a lot of gritty skin tannin, which takes up residence in a distinctly different region of the mouth than the acid. While the acid carries red fruit and florals, the higher level of tannin brings black tea and tobacco flavors than the Ouest has, the latter more dominated by black and blue fruit, with tar and black pepper.

“It was actually Philippe’s decision to split [the vineyard] like this,” Adam noted. “When we were together to blend, I was looking to make one blend, but Philippe said we should do an east and a west.”

2019 Beau Marchais Clos Pepe Vineyard Est – Violet and lilac immediate jump out of the glass, followed by cherry, strawberry preserve, tanned leather and cassia cinnamon. The body has polishing juicy acid and late-developing grippy tannins, contributing to the softest pallet and most elegant structure of the three 2019 Beau Marchais wines. Bursting with tangy cherry, strawberry and plum, the deep flavor profile also includes violet, orange zest, graphite, moist earth, fresh leather and green bell pepper. This is the most unusual of the three wines, though the combination of tanginess and bell pepper may make it the most divisive. Two to three years of cellaring should help it coalesce. 92 points.

2019 Beau Marchais Clos Pepe Vineyard Ouest – This deep, nearly hedonistic, nose runs deep with Maraschino Cherry, strawberry preserve, prune, black pepper and nose-tingling spice. Smooth and very fluid, the full body combines densely packed gritty tannin with smooth, velvety acid to form a seriously statured profile. Red cherry, red plum, orange zest, tar and rhubarb form the backbone of the wine’s flavors, finishing on a graphite and earthy minerality. I think this will be at its best in two to three years. 94 points.

Soberanes Vineyard. Picture credit: Santa Lucia Highlands

The Soberanes Vineyard bottling was the hardest to put my finger on. While it initially struck me as the most delicate of three despite it’s darker color, it gained weight with air and developed a nose and palate with distinctively different profiles. I noted that “it is the most classically pinot-esque of the three.” While the nose is all pastels and florals and red fruit, the palate is a concentrated combination of dark fruit, teriyaki, rose, orange blossom, sweet tobacco and tar with sweet, long tannin and modest acid. At the end of my notes, I wrote that “it is the closest these wines come to being sappy though it isn’t cloying. Best balance of the three at this stage. It evolved more than the two Clos Pepe between the two rounds of tastings (which were two hours apart).”

2019 Beau Marchais Soberanes Vineyard – The grapey, saturated nose features aromas of Bing cherry juice, rich baking spice, black plum, rhubarb, tobacco leaf, graphite and black pepper. Full bodied, though the result of pairing big, round and lush tannin with equally big, but juicy, tannin, is that the palate retains liveliness and buoyancy. The tannin slowly dries the mouth, allowing the flavors to smoothly fade as the finish persists. Flavors include Bing cherry, raspberry, graphite, blood orange, moist earth and plum. Best over the next five years. 93 points.

The project is named after a man named Pierre Beaumarchais, a French playwright, inventor, musician, spy “and so much more,” who helped with the foreign financing of the American Revolution by creating a company that smuggled money from the French and Spanish governments across the Pacific and into the Colonies. “We thought it was a great parallel to Philippe helping to make pinot in America. Also, it means ‘the beautiful walk’ in French.”

I asked Adam and Mike for their thoughts on the ageability of the three Beau Marchais wines. “If I’m comparing them to the Clarice wines, I’d say enjoy Beau Marchais while you’re letting the Clarice wines age,” Mike said. Adam added that “Clarice is aging more on acid and the stem tannins. Beau Marchais will be aging on skin tannin, it’s going to be fascinating. I don’t know the answer yet. I’d guess Mike is right, but neither are certain.” I’d approach it the same way myself, though I’d be tempted to let the Beau Marchais sit for a year or two post-release to allow for more integration and softening.

The inaugural Beau Marchais release will come this fall. You can sign up on the website to be notified when they are available, and they will also be made available to Clarice Wine Company customers. Beau Marchais is a fascinating project that will appeal most to those who like experimental wine, but also appreciate the incredible experience that Adam and Cambie to bring to the experimentation. This isn’t some new technique applied by someone with five years of winemaking experience trying to make a name for themselves before they know what they’re doing.

The trees adjacent to Carlisle Winery

I want to plug Carlisle Winery briefly, which I visited in early 2019. Located in Sonoma, it is primarily known for its zinfandel, which Mike aptly describes as “the Rodney Dangerfield of grapes” and California’s only true “benchmark grape (you think of Bordeaux for cabernet and merlot, Rhone for syrah, Mosel for riesling. But zinfandel, globally, it’s California).” While I really enjoyed several of Mike’s zinfandels during my visit, especially their estate Carlisle Vineyard bottling, I was most taken by two of his white wines, a grüner veltliner from the Steiner Vineyard and a field blend from the Compagni Portis vineyard, which is comprised of gewürztraminer, trousseau gris, riesling, roter veltliner “and several other varieties yet to be identified.”

The virtual tasting included a trio of Carlisle wines selected for Clarice customers, including a newly released 2018 syrah from Radiant Ridge, a high elevation vineyard in the Bennett Valley. Adam called it “my favorite syrah [Mike] has ever made” and “the most French-style syrah I’ve tasted from Mike.” A number of attendees chimed in, adding their praise for the wine. Carlisle is a fantastic producer, and one to dig into if you haven’t already.

I’m going to end by recommending these virtual tastings for those who miss winery visits and wine dinners with friends these days. Countless wineries are doing them, and offering expedited shipping on the wines chosen for the tastings. I won’t give a final verdict on whether I think a week or less of post-shipment resting is sufficient to clear the effects of bottle shock, but I will encourage people to order as far in advance of the event as possible. Besides that risk, there’s very little downside to taking advantage of the ability to virtually taste with winemakers around the world. It’s a great way to explore the wine world during a time when we cannot otherwise travel.

The Promise of Peake Ranch Winery

Buellton, California; tractor pre-pruning Chardonay vines, Peake Ranch Vineyard

Peake Ranch. CreditSanta Barbara Independent/Macduff Everton

A few days before speaking to Peake Ranch Winery’s owner, John Wagner, I tasted the estate’s 2016 John Sebastiano Vineyard pinot noir. It was my favorite of their pinots that I got to try, and offered a tomato leaf flavor I do not associate with the variety. The most vivid memory I have of tasting tomato leaf in wine is with Montepulciano d’Abruzzo, and especially Emidio Pepe’s bottling of it, which is a very different grape grown in a very different climate. Abruzzo is incredibly hot, whereas Central California, where Peake is located, is cool. It was one of those bizarre moments that makes you question yourself. However, because the wine was so good, I drank through the entire bottle, and from sip one to sip last, that tomato leaf was there. No fluke.

I told John about this tomato leaf note, how it reminded me of Emidio Pepe Montepulciano d’Abruzzo, how that winery has a special place in my heart because my wife and I stayed there during our honeymoon, and how drinking the Peake Ranch took me back there (you can read the Good Vitis coverage of Emidio Pepe here). “It is thrilling to touch people like that,” John responded, “That is exactly why I started a winery. It’s way cooler than rolling into Saint-Tropez on a yacht.”

That last thought requires some explanation. John runs a hedge fund in Los Angeles. I don’t know how many of you know “hedge fund guys,” but I know a few. Hedge fund guys have what some refer to as “stupid money,” meaning so much of it that no hobby is surprising, no display of station too absurd (so long as it’s fun). I should clarify that the hedge fund guys I know, like John, spend a big percentage of their stupid money on good causes and side projects that make the world a better place in one way or another.

I’ve been writing this blog for over three and a half years, and after a while I realized that there are wineries that just have it. They have a long-term vision, the right people and vineyards to realize it, and the will to survive the first ten to twenty years by making decent wine, which is frankly long how winemaking and grape growing takes before someone starts to get the hang of it. Think about it this way: winemakers and vineyard managers do their job but one time per year. Imagine a surgeon that cuts once a year? Would you lay on their operating table? Not that winemaking carries the significance of saving lives, but at that rate, it takes a lot of dog years to become truly good, let alone great. Despite harking from this decade, Peake Ranch is on that path. I knew the wine was good before talking to John, but after talking with him, I understood that the kind of long-term foundation needed to build and sustain an industry standard-setting winery is there with Peake.

John has some stupid money that he’s put into Peake, and had some stupid luck to balance the bad luck as he got it set up and running. However, as is key with any winery project funded by someone capable of losing money on the venture yet still keep it going, he wants to make at least a small amount of money, which is hard to do in the premium wine business. The formula I’ve seen that most closely correlates with a boutique winery that turns a profit combines great people, great vineyards, a drive to push quality even in the best of vintages, a track record of improving techniques and processes in worst of vintages, and not over-making the wine. If a winery does this, and it is far from a simple formula to get right year after year after year, and has some luck along the way, it can grow and strengthen its customer base, and that generates sustained profits, which are reinvested into the winery, and the beautiful cycle continues long enough to master the land and the craft.

DB7A9817-CDNIZN

Peake’s tasting room

Of all the indicators that Peake is set up to make the formula work, it was John’s staffing decisions that stood out. From the list of people involved, it is clear that John has decided to set his team up for success. Not only does he have the obligatory winemaker, vineyard manager and tasting room manager, but he has as head of marketing and a national sales representative, not to mention some “support” staff with impressive resumes in their own respective rights. For the kind of case production coming out of Peake, the quality and quantity are high.

“Eric [Grant, the head of marketing] is a longtime friend who needed something to do. He used to run some things at Goldman Sachs. We hired him to give me an excuse to talk to him twice a day.” As a wine blogger, I know my share of the industry’s marketing people, and when they are in-house they tend to work for much larger wineries than Peake. John also “had a national sales rep in the back of my mind because I figured to be taken seriously we would have to be distributed nationally, so I hired Rachael Pfaff who had done that for Merry Edwards.” Not many wineries Peake’s size have an in-house national rep.

What about Adam Lee, I asked, referring to our mutual friend who had actually introduced me to Peake Ranch several months back during a meal together and is a consultant to Peake for winery business-related matters. “Knowing Adam helps a lot,” he told me. “You miss a lot of the more obvious pitfalls [with someone like him on board]. So on some levels [getting Peake up and running] hasn’t been horrible.”

Referencing his vineyard manager, John told me that with Mike Anderson, “when I knew I needed a vineyard guy, I knew I wanted him. He has a PhD, 30 years’ experience and a lot of opinions.” Peake’s winemaker, Wynne Solomon, is maybe the most humble winemaker I’ve ever met, and I had that thought before I ever spoke with her: she has to manage John’s ego, Adam’s ego, and this guy Mike’s ego. John is like the other hedge fund guys I know: direct, opinionated, but accepting of and differential to expertise that proves itself. Adam, though he never offends with his opinions, has many of them and the experience and accolades to back them up. I haven’t spoken to Mike Anderson, but if John says he has an ego, he has an ego. It takes a good amount of humility to manage those three guys.

That fact is what gives me the feeling that Peake has it: the incredibly successful trio of John Wagner, Adam Lee and Mike Anderson bring their experience, knowledge, skills and resources to bear in ways that acknowledge their roles and limitations, and they give them to Wynne to empower her. People like that only give what they have to people whom they trust and respect. That’s a level of partnership rarely seen.

IMG_20191210_101855

Enter here

“I am super excited about what Wynne is doing,” John told me. “So much of making great wine is being meticulous, not making mistakes. Wynne is so detail oriented. If you give her high quality fruit then she is going to make really good wine. Not through blind strokes of genius, but through maniacal attention to detail. I have a huge amount of admiration for people who can do that; it is a special and under-appreciated quality. A lot of great authors don’t create good books because they write great detail, but because they write one really good sentence after another. That’s what Wynne is doing. A great idea that is poorly executed is shit. Good ideas fantastically executed are unreal. Wynne gets to obsess one sentence at a time, and that is what generates the experience you had with the John Sebastiano pinot.”

For his part, Adam called Wynne “young, dedicated to quality and cleanliness, which is so key and rare, and it is just fantastic to see it is big part of her regime and ethos.” John noted that “Wynne has been lovely in dealing with us fat old white guys. I really appreciate that. She works well with the tasting room people. She’s been a huge part of our success and we are really lucky to have her. At least she gets super good fruit.”

Wynne’s first vintage at Peake was 2018. She got her start at Stephen Ross Wine Cellars in San Luis Obispo. “I learned how to make beautiful, clean Burgundian style pinot and chardonnay there. We sourced from the Santa Maria Valley and Santa Lucia Highlands,” both cool climates. She eventually got to Santa Barbara’s Melville, where she started to become acquainted with that region’s fruit.  When John was looking for a new winemaker, a friend mentioned Wynne and the rest is history.

Her experience with these cool climates in California’s Central Coast must have been a positive sign for John, not just because of her familiarity with making wine there, but because it also demonstrated a commitment to the region where he focused his intentions of owning a winery. Having grown up in the region, he is fiercely proud of it and wanted to use his entry into the business to show “the rest of the world that it can make wine as good as anywhere in California. I’m a regional supremacist.” He landed on a spot in Santa Rita Hills, figuring “it was a combination of a marketable area – it is beautiful – that can make great wine, and has good vicinity to where I grew up. It already had a good reputation, which was key because I did not want to invent a new wheel. And it turns out that when properly done, the area turns out better wine than I expected.”

Peake-Ranch-Vineyard

Peake Ranch Vineyard, located on the eastern end of the Sta. Rita Hills AVA.

Even with Wynne’s regional experience, the transition from Melville to Peake presented some challenges for her. “The two wineries get their grapes from different areas, different soils, slopes, elevations, etc. I was curious about [Peake’s] section of the AVA, I didn’t know anything about it. The biggest new thing on that front is the great structure of the sandy soil.”

The most challenging difference in the winemaking from Melville to Peake “was remembering what it is to work with new French oak. Everything is aged, fermented in oak. I [hadn’t had] that kind of spice rack [to work with in a while], so I had to dig into notes of prior vintages to recall the differences between coopers, toast levels, which types of barrels pair well with varieties, etc. We don’t use a ton of new oak, but still, it makes a huge difference [in the wine] so you have to get it right.” She works with five cooperages now, and had just completed their 2020 barrel orders before we spoke. “It’s very elaborate,” she explained, “the seasoning lengths, toasts, etc. There is a lot to play with in that sense.”

The facility “is very state of the art,” she told me. “It has a different barrel room for each vintage, which allows me to control temperatures for what each vintage needs based on where it’s at in the process. The winery is also a gravity flow facility. Making wine that way needs to be more intentional and planned out than in a normal set up; you have to really think through the whole life of the wine before you move into even the first step.”

Most importantly, though, Peake’s vision “for the wine starts in the vineyard. Mike has a huge contribution to it. His farming is so precise that it sets the tone for the wine’s entire life.” As if to emphasize a theme, she continued that “he’s keeping [the fruit] meticulously clean and each vine is tended to on its own. It’s my purpose in the winery to continue that. Mike’s contribution is the greatest.” Her focus “is to make the best wine that the property can produce rather than for any particular palate.

One of my favorite elements of Peake’s vision is the tannin profile, which is velvety and gorgeous. “The vineyard plays a huge roll in that,” she explained. “We want to develop tannins that are softer, more elegant, and we do that by not over or under cropping the vines. The right amount of leafing is key to achieve the appropriate balance between airflow and ripeness.” In the winery, “a lot of the tannin is developed and controlled through the pressing and temperatures. We keep ferments a little colder so extraction is lighter. Doing press fractions and treating those separately.”

And then, almost as if an afterthought, she dropped a big piece of knowledge: “longer aging really helps, we leave the wines in barrel for 18 months so they get more of the tannin and body from the oak rather than the oak’s aromatic and flavor expression.” It takes a lot of space, time and money to age your wine in barrel for 18 months. Wineries that do that are few and far between, even at higher price points. It is yet another example of John’s approach with Peake, allowing the right things to be done for the right reasons.

The results are impressive. Peake sent six samples, and the reviews are all below. The 2016 Sierra Madre chardonnay is easily one of the best wines I’ve had in recent memory, and the 2016 John Sebastiano pinot isn’t far behind. It is rare to find wines in which every element is as well-executed as these, especially for the price range.

Peake is following a formula for success. Time will be the true test: can the team continue to make great wine, year after year, and build up the kind of institutional knowledge necessary to hit that elevated state. It is impressive how far they’ve come in less than ten years, but it will be these next ten that determine how few peers they have. With people like John, Wynne, Mike and Adam involved, I’d bet on them leaving most in the dust.

Sierra-Madre-Vineyard

Sierra Madre Vineyard on the western side of the Santa Maria Valley

2016 Peake Ranch Sierra Madre Chardonnay – Decanted in bottle for about an hour, it takes on increasing character and depth with time in the glass. Aromas include sweet honeydew, honeysuckle, orange blossom, mango, pineapple, and Jelly Belly buttered popcorn with an edge of lime zest and slate minerality. Full bodied with round, lush edges of juicy acid and a cream-filled mid-palate that gives way to a textural finish. Flavors include a flavorful variety of mango, pineapple, yellow peach, vanilla bean, strawberry lemonade and strong bites of lime zest and white pepper. A world class wine, this is gorgeous now with a solid five-plus years of positive evolution leading into a further five years of prime drinking. 95 points. Value: A+.

2017 Peake Ranch Sierra Madre Chardonnay – Beautifully sweet aromas of caramel apple, lime sorbet, orange creamsicle, dried pineapple, dried apricot and vanilla curd. Though nearly full bodied, it is decidedly leaner on the palate with a pleasant juxtaposition of precise, linear acid with a mouth-saturating glycerin sensation. The structure is elegant and the mouthfeel indulgent. Flavors hit on Fuji apple, Asian pear, lemon curd, marzipan, vanilla custard, lemon zest and clementine. A really, really good chardonnay with depth and intrigue. 93 points. Value: A-.

2017 Peake Ranch Santa Barbara County Chardonnay – The very prototypical nose features vanilla and lemon curds, lime sorbet and buttered toast. Nearly full-bodied, it offers tactile acid and an angular structure that is sturdily framed. Flavors include slightly unsettled Sprite, toasted oak, zesty lime, vanilla bean, Granny Smith apple and some unidentified bitter herb. Clearly a wine of quality, the slightly twitchy acid adds excitement, but needs a year or two in bottle to balance with the rest of the wine and allow the flavors to find a better harmony. 91 points. Value: B-.

2016 Peake Ranch Sta. Rita Hills Pinot Noir – The nose features an intriguing juxtaposition of dark fruits and dark earth, wafting cherry, blackberry, plum and cassis with wet forest floor, BBQ burnt ends and saline. It’s barely full bodied with big, round acid and refined finely grained tannin. The structure is spot on, with a plush and buoyant ride that races along a precise acid path. Flavors include raspberry, strawberry, graphite, tar, black pepper, dark currant, cassis and bell pepper. This is a beautiful example of a serious wine that delivers loads of fun. I’d love to have two bottles a year for the next five years to enjoy its evolution. 92 points. Value: B-.

John-Sebastiano-Vineyard

The John Sebastiano Vineyard, located on the eastern edge of the Sta. Rita Hills AVA

2016 Peake Ranch John Sebastiano Pinot Noir – The rich, pure nose offers aromas of saturated cherry, baking spice, red plum, black currant, blood orange and kirsch liquor. Full bodied in weight with plush, wide tannin, the slightly crispy tannin adds levity and cut. The balance is good now with a firmly-framed structure, but another 3-ish years in bottle will really elevate this. The flavor profile has a bit of a Burgundian edge that comes from an abundance of richly-delineated layers that feature black cherry, wet fungal earth, raspberry, red currant and black pepper, finishing with a strong dose of tomato leaf. One of the best pinot noirs I’ve had in a long time, this offers a promising ten-year horizon. 94 points. Value: A.

2017 Peake Ranch Bellis Noir (60% syrah, 40% grenache) – The inky nose offers muddled dark cherry, blackberry, raspberry, lilac, rose petal, iron and tar. The medium weight carries smooth acid and plush, modest tannin that gains grip in the mouth. Flavors include blackberry, strawberry, black plum, lilac, black pepper and sage. This is enjoyable now, but I get the sense it will benefit from short-term aging, maybe 2-4 years, as it seems just a bit tight at the moment. 91 points. Value: B-.

Try this Wine: Melville Estate Syrah

syrah

Credit: winery-sage.com

Syrah may be one of the most misunderstood – or perhaps confusing – red wines out there. Unlike cabernet or merlot, there is very little syrah produced domestically outside two buckets: mass-produced, sub $15 wines, and small production, high end bottles starting around $40 and going into the hundreds. The quality and style of these two buckets differ dramatically, and so it can be challenging to feel like you “get” the grape.

This is somewhat less true in France, where the Rhone Valley is syrah’s global epicenter and quality is not hard to come by at any price, but French wine labels are challenging for Americans because they usually do not list the grape(s) included in the wine and so they contribute to America’s misunderstanding of syrah. It is also less true in Australia, where syrah is called “shiraz” and is the most widely produced wine. However, because it’s labeled shiraz even when sold in the United State, it’s easily confused as something different, either varietally or stylistically, from syrah produced elsewhere. And thus the misunderstanding continues.

Syrah is not the most popular grape in this country, but its popularity is growing. On the production side, there are 106,00 acres of chardonnay grown in the United States, making it the most widely-grown wine-making grape in the country. Cabernet sauvignon isn’t far behind at 101,300 acres. Syrah sits at just over 22,000, which makes it the sixth most grown wine-making grape in America.

Syrah can be grown in different climates, and wears its terroir on its sleeve. In warmer climates, it is often big, round and fruit-forward. Most of the lower-end syrah tends to fall into this style because it’s relatively easy to make on a large scale with a good price margin. In cooler climates, it is gamey and savory and often smells and tastes of smoked or cured meat, iron and olives. This style is found most commonly in the more expensive category as it is more sought-after and costlier to produce than the other style. These dynamics mean that, depending on what one is spending, they are getting dramatically different experiences in terms of flavor profile, not just quality.

Within the premium wine world, syrah has been a stalwart regarded as a macro-level under-performer in that it hasn’t sold well despite its appeal. Syrah is also a very difficult sell because either the less expensive forward-style often smacks of generic red wine and makes no unique appeal, or a person is unaccustomed to, and perhaps initially turned off by, the savory taste and higher price point of the better quality stuff.

The niche appeal of high end syrah tends to emanate from that uniquely savory profile I described as well as its ability to change dramatically with extended aging. This has motivated articles along the lines of “American Syrah: Can It Ever Rival Pinot Noir?” that discuss and attempt to prognosticate syrah’s future.

Part of the tailwind pushing syrah lovers’ desire to see the variety perform better may be that we believe syrah offers bang for the buck, even at the high end, and that while it’s easy to find an underwhelming expensive cabernet or pinot noir, it’s much harder to be disappointed by an expensive syrah. This is at least something I’ve discovered as I’ve talked with other syrah lovers.

To test this out, I went to Wine Enthusiast and pulled review data for syrah, cabernet sauvignon, pinot noir and merlot. I took this data and put together pie charts for each variety that show the breakdown of scores. Looking at the charts, for example, 2.83% of merlots reviewed by Wine Enthusiast received scores between 94 and 97 points (the orange slice on the graph).

To interpret these charts, it’s critical to know the sample size, so here they are:

Syrah: 11,991

Merlot: 15,992

Pinot noir: 24,332

Cabernet sauvignon: 27,682

Screen Shot 2018-09-25 at 5.55.34 PM

These graphs tell me two things, effectively. First, with the caveat that this is the perspective of just one journal, there isn’t a lot of great merlot on the market as measured by review scores. That’s a discussion for another time. Second, with the same caveat as the first, people have roughly the same chance of getting an enjoyable/satisfying bottle of syrah as they would cabernet or pinot if they were at a quality wine store that stocked roughly equal amounts of all three. This is to say, my friends and I may be wrong about there being a glut of high quality syrah relative to more popular reds.

All that said, it remains difficult to find a good syrah without dropping a good chunk of change, not unlike pinot noir, because wine stores stock much less of it than the more popular wines. Further, it remains difficult to find a savory syrah priced similar to the fruit-forward syrahs.

Melville

This edition of Try this Wine aims to shoot that gap as reasonably as possible with the 2014 Melville Estate Syrah from the Santa Rita Hills AVA in Santa Barbara, California. After trying a bottle ourselves for the first time, we were motivated to write this piece because we believe everyone should experience the uniquely savory profile of quality syrah at least once, and now have a reasonably priced example to recommend.

Melville is legendary Santa Barbara, a wine region that deserves more attention and respect than it gets. I wouldn’t be surprised if it is eventually considered part of California’s top echelon of wine regions. Located a short drive north of the Los Angeles area, it sits just off the Pacific Ocean on plateaus and hill sides that jut up from the coast line. Direct access to ocean breezes keep the area cool, and much of the wine produced there skews more reserved and nuanced than the standard California reputation. Think producers like Au Bon Climat, Ojai, Donkey and Goat, Qupe and Jaffurs, none of whom are going to make inroads with the jammy wine crowd.

Try this Wine because: The Estate syrah from Melville clocks in around $30-35, which is a fair price for the quality. At this price you get great accessibility to the savory profile as well as good approachability – it won’t require aging to show itself off. While not as layered and complex as many more expensive syrahs, it represents one of the more modest price points for a wine of its profile and quality. We recommend that you try this wine if you want to access the savory syrah profile without spending a ton of money or waiting years for a bottle to develop into an enjoyable stage.

Tasting note for the 2014 Melville Estate syrah: Bright, shiny nose of Acai, raspberry, strawberry, wet soil, tanned tobacco leaf, bacon and cinnamon. It’s full bodied with pleasant, mellowed acidity and very plush tannin, striking a pleasing feel and structure. The flavors are predominantly savory and salty; the fruit is secondary. It offers doses of iron, saline, smoked beef jerky, black olive, pomegranate, raspberry and licorice. This is a nice, straight-forward New World syrah with some Old World stylings. There is a small amount of dusty tannin towards the finish suggesting good mid-term drinking. 90 points. Value: B+.

Where to buy:

The current release of the Estate syrah at the winery is 2016, which is available directly through the winery. Most of the vintages available in stores include the 2014 and 2015, which is nice because of the additional and complimentary age on them. Here are a few shops around the country that showed up on the wine-searcher.com search.

St. Louis, MO: Wine & Cheese Place, 7435 Forsyth Blvd, Clayton, MO 63105. Phone: 314-727-8788.

Los Angeles, CA: Woodland Hills Wine Company, 22622 Ventura Blvd, Woodland Hills, CA 91364. Phone: 800-678-9463.

Tampa, FL: Craft & Curd, 2908 W Gandy Blvd. Suite B, Tampa, FL 33611. Email: Tom@craftcurd.com.

St. Paul, MN: Sunfish Cellars, 981 Sibley Memorial Hwy, 55118 St Paul, MN. Phone: 651-600-5164.

San Francisco, CA: The Wine Club, 953 Harrison St, San Francisco, CA 94107. Phone: 800-966-7835.

A Quick Trip to Santa Barbara

grapes

Good Santa Barbara vitis. Picture: http://www.santabarbaracountywines.com

Taking advantage of a work trip to California, I made a quick jaunt from Los Angeles to Santa Barbara to squeeze in two tasting room visits. I had had one bottle from Jaffurs Winery eight or nine years ago and was interested in revisiting, and had never tried but was eager to explore the strongly reputed Au Bon Climat. Neither disappointed, and I didn’t even tell them I was coming. I strongly recommend trying wines from both wineries who also represent off-the-charts value. My tasting notes are at the end of the post.

Jaffurs is a warehouse winery that hosts its tasting room in the middle of the crush pad. I love these set ups for a host of reasons, the main one being that it smells, well, like a crush pad, and I love that smell because it reminds of the joys and challenges of making wine. It also removes any of the ultimately damaging air of aristocratic pomposity many tasting rooms, unfortunately, achieve.

jaffurs

Jaffurs Winery

I was the first customer of the day, and a man named David saddled me up to the tasting bar and poured five wines for me while discussing the winery’s approach and impressive array of vineyard relationships. Jaffurs has been around for over 20 years and seem to be a local legend. They focus on Rhone varietals, and offer multi-vineyard blends plus a lineup of single vineyard syrahs, and the wines are evidence enough of why Jaffurs has such a good reputation among the industry.

Au Bon Climat’s tasting room is in downtown Santa Barbara, an almost idyllic setting that no doubt influences customers’ experience. I was also their first visitor of their day and Emily, the assistant tasting room manager, poured me a very good flight of six wines that mostly exceed my expectations. Emily’s personable nature and obvious zeal for the winery and industry was a great compliment to the wine. The tasting room, as Emily explained, was really a showroom for Jim Clendenen, the man behind Au Bon Climat and a number of other efforts. Clendenen focus is on taking what is clearly fantastic fruit and making the more refined, Burgundian and Italian styles of wine.

rancho-la-cuna-630-2

Clendenen Family Estate Vineyard

It isn’t fair to offer scores of wines tasted in a tasting room – the pours are too small to fully analyze the wine, and often times the wines haven’t received sufficient aeration. Therefore, I’m going to relay the notes on the wines that I scribbled down while tasting, but leave out scores are values. That said, I imagine all the wines I tasted would likely score at or above 90 points and receive values of at least a “B” based on my process.

Jaffurs Winery (click for wine-searcher.com listings)

2015 Roussane: really classic representation of roussane’s tropical characteristics, and a really cool juxtaposition of above-average acidity and a slightly oily mouthfeel. I took a bottle with me.

2013 Enticer Pinot Noir: separate label made by Craig Jaffurs. Really pretty nose, very floral and bright. Leaner palate for a California pinot, Burgundian. Great acidity with tar, cranberries and huckleberries. Touch of sweetness balances the tart fruit.

2013 Grenache: muted nose but a really cool, dirty palate. 30% whole cluster press and a very herbal profile with gorgeous fruit. Bought one of these, too.

2014 Syrah: blend from several vineyards, meant to be a consistent profile from vintage to vintage. A bit chewy, full bodied but with good acidity. Dark fruits with some fungal funk and a nice black pepper kick.

2012 Verna’s syrah: vineyard designate. 50% whole cluster. Very meaty, funky nose and palate. Very nice harmony between bloody, smoky and salty elements. My kind of syrah.

Au Bon Climat (click for wine-searcher.com listings)

2013 Nuit Blances chardonnay: some new oak. Cote de Beaune-esque nose, palate lighter than expected but still full bodied. Nice acid and tension on the finish. Green fruits.

2011 Santa Maria Valley Bien Nacido Vineyard chardonnay: nice juxtaposition of butter and lemon, with white pepper and banana leaf. Strong oak vanillin is a bit distracting, but might integrate with more aeration.

2013 Aubaine pinot noir: funky pinot nose with baking spices, cherries, lavender and rose. Palate is restrained, dark and herbal. Dark cherries and raspberries. Smoke, thyme and tar. Round and full bodied with a robust grainy tannin structure.

2012 Talley Vineyard pinot noir: big, bold and fruit nose with some florals. Body is framed with significant oak, smoke and salty red fruits. Big mushroom on the finish. This could be great in 5-10 years.

2008 Nielson pinot noir: meaty, savory nose with cherries. Complex, deep palate. Beautiful smoked meats, cherries, strawberries and blood orange. The fruit is really deep and bright. Nice salinity with a touch of smoke. Will continue to develop. World class wine. I bought several.

2010 Nebbiolo Bricco Buon Natale: very perfumed and tropical nose with a dose of kerosene. Palate is really nice and soft, but the body is substantial. Spiced red berries and beautiful candied plums with black pepper. Gorgeous, also world class. I’ll be enjoying the several bottles I purchased.